There is a polarity reverse switch if you find monaural sources (like this bass) sound better flipped but with the time differences eliminated. After a few seconds, it detected and corrected both time and phase differences with dramatic results: The mix of the two tracks was bigger, deeper, and clearer than just the DI or Aguilar track alone. I also inserted it on the Aguilar track, set it to receive on bus 7, played the song, and clicked the Detect button. I listened to the two tracks mixed equally without Auto-Align, and they sounded hollow and unusable I inserted the plug on the DI track (my reference) and sent out on bus 7. I tried it on a bass guitar recording comprising separate tracks for a DI and a miked Aguilar amp. The plug-in installed quickly and was intuitive to set up and use.
SOUND RADIX AUTO ALIGN MAC TORRENT PRO
I tested Auto-Align in Pro Tools 9 HD on a Mac Pro 8-core running in 64-bit mode. ( Since this review was written, SoundRadix has added a switch to the GUI that makes it easier to compare the original and corrected sounds.) It also detects and corrects phase differences and polarity reversal between the source and satellite tracks. When inserted on a track in your mix that you designate as the timing reference, it sends sample-accurate timing information over any one of its own eight internal buses to any other "satellite" tracks also running the plug-in, and then uses the DAW's delay-compensation engine to make the correction.
SOUND RADIX AUTO ALIGN MAC TORRENT FOR MAC
SoundRadix's Auto-Align ($149) is an AU/RTAS plug-in for Mac (a Windows version is coming) that gives you precise control over time alignment when combining two or more recorded tracks from the same source. Looking like the teeth of a comb and called the "comb filter effect", it is sometimes heard in theatres, recording studios or living rooms where sound from the loudspeakers reach your ears at different times causing inconsistent and a location-dependent frequency response. amplitude), you'd see a distinct pattern of steep and regularly spaced peaks and troughs over the entire frequency range. If you could view a graphical spectrum analysis of the sound (frequency vs.
Because sound waves arrive at each mic (or DI box) at slightly different times, this allows you to obtain a sonic character that's impossible to get with a single mic.īut this technique can also be the source of potential problems especially with stereo sounds because some frequencies will cancel out while others will build-up unnaturally. SoundRadix's Auto-Align plug-in solves an often-mysterious problem encountered when combining two or more recorded tracks of the same source. Originally Published Online At Electronic Musician
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